Full Range Studies for Trombone

Full Range Studies for TromboneFull Range Studies for Trombone

A complete system to develop and maintain your range, sound, endurance, and flexibility from Low E to Double High Bb … and beyond! (90 pages)

The Full Range Studies for Trombone book can be used by all trombone players, at any level of playing. Whether you’re a beginner, intermediate, advanced, comeback player, or professional – this book will be very valuable to you over the years to come.

The “FRS” system consists of 18 studies. One study of the 18 should be played every other day on a rotation basis (1, 2, 3, 4…17, 18), and three times a week is recommended. You will do the complete rotation every 6 weeks. Don’t try to play all of the studies in one day, these are meant to build you up, not beat you up.

Each study session will take you approximately 20-30 minutes to complete. If you rest correctly during the practice session, your embouchure should feel good, not beat up. If you feel beat up then you didn’t rest enough or you went too far in the study. Only go as far in each study as you can without playing incorrectly. It does no good to practice incorrect habits. If you want to work on your pedal register, simply extend the exercises down into the lower octaves.

Get more info, samples, and get your copy now here http://mphmusic.com/trombone

As always, my best to you —

Mark Hendricks

Full Range Studies for Trombone – Quick Start Guide

Full Range Studies for TromboneFull Range Studies for Trombone – Quick Start Guide

Congratulations on your purchase of the Full Range Studies for Trombone book!

Here’s a few tips on getting starting using the FRS book:

– The purpose of the book is to provide a complete system to develop and maintain your range, sound, endurance, and flexibility from Low E to Double High Bb … and beyond! And it can be used by all trombone players, at any level of playing. Whether you’re a beginner, intermediate, advanced, comeback player, or professional – this book will be very valuable to you over the years to come.

– The “FRS” system consists of 18 studies. One study of the 18 should be played every other day on a rotation basis (1, 2, 3, 4…17, 18), and three times a week is recommended. You will do the complete rotation every 6 weeks. Don’t try to play all of the studies in one day, these are meant to build you up, not beat you up.

– Each study session will take you approximately 20-30 minutes to complete. If you rest correctly during the practice session, your embouchure should feel good, not beat up. If you feel beat up then you didn’t rest enough or you went too far in the study. Only go as far in each study as you can without playing incorrectly. It does no good to practice incorrect habits.

– If you want to work on your pedal register, simply extend the exercises down into the lower octaves.

– Be diligent in your practice, you will be rewarded for your discipline by following the routines in the 18 studies – using these studies in this step-by-step system will get you playing better, and much quicker, than a haphazard approach to practicing

– Rest as much as you play and rest as much as you play within each practice session, you should still feel good at the end of each practice session

– Always strive for a great sound on every note

– Always play musically – don’t just play, make music

– Slow and good is better than fast and bad – you will learn faster by practicing slowly, then speed up in small increments to improve your coordination to play faster and still sound good

– Practice all of the articulations when indicated (S=Slur, T=Tongue, B=breath, etc.)

– Use a metronome to help you improve your coordination as you speed things up

– If you can’t reach some notes, give it three tries and then move on – they will come in time

– Play with other people, whether it be duets, trios, quartets, quintets, band, orchestra, jazz ensemble, church services – get out there and rehearse, perform and make music with others

– Each study is meant to be played once and then move to the next one on the next FRS practice day of the week (every other day, three days a week is fine). These are not technically hard, so you don’t have to “practice” them with repetition, so just move on to the next study in rotation. Just keep progressing step-by-step through the lessons – and start with Study 1

– When you get to the end of the 18 studies after 6 weeks, start at Study 1 again and continue through the studies to Study 18. Then once again go back to Study 1 and do the same, again and again for development and maintenance

– As you advance in these studies, you can begin playing two phrases together without removing the mouthpiece and resting. Do the whole book this way (1-18 in rotation), then on the next time through the book do 3 phrases without removing the mouthpiece, and the next time through the book 4 times, etc. – always end your practice session feeling good so you can practice other things or perform later

For more info on the book and other trombone books you may be interested in, visit:

http://www.mphmusic.com/trombone

As always, my best to you —

Mark Hendricks

David Cooper – Full Range Studies for Trumpet book

Full Range Studies for TrumpetDavid Cooper on the Full Range Studies for Trumpet book

I have never met Mark Hendricks but when I saw his Full Range Studies for trumpet book, I had to give it a try.

Like most trumpet players, I have quite a collection of trumpet books, methods, sheet music etc. – I look forward to the every other day of doing the routines and it is quick and precise to the development of better trumpet playing!!!

I have been through the book on schedule and my wife even made a comment the other day that I was sounding really good!!

(I’ll take it!!)

I would recommend this book to all brass players!!

Thanks Mark!!!!

David Cooper
Cataula, GA

P.S. – When Momma’s happy, then you know it’s good…(Awesome)!!!!

Hi David,

So glad to hear your wife is noticing, that’s great… 🙂

One of the nice things about the book is you’re not playing the same thing every day, it makes it more fun to sit down and practice this stuff every other day, and it doesn’t drive your family nuts having to listen to you LOL.

Get your own copy today and get going…

http://mphmusic.com/trumpet

Best,

Mark Hendricks

.

Pete Andrick talks about Full Range Studies for Trumpet

Full Range Studies for TrumpetPete Andrick talks about Full Range Studies for Trumpet

Hi Mark,

I’m a freelance trumpeter, in the metropolitan Detroit (MI) area. Most of what I do is in music theater, with some big band, and brass ensemble stuff worked in. I’m a former USAF bandsman, with collegiate study at the bachelor and master’s level, in music performance.

I found the MPHmusic site and an ad on the site pointed to the Full Range Studies book. The price of the book was rather reasonable. I decided on buying it after reading the commentary about the book.

An important aspect of the exercises presented in this book is that the progressions are logically laid out. I found that the progressions became easier to do while going through the exercises.

This book gave me a new way of enhancing what I have, regarding the upper register, and I think there’s a little more ‘pop’ or ‘sparkle’ to the sound. I would recommend this book based on that, alone. Follow the instructions included and you will not burn yourself out. Don’t force anything – keep the ‘natural’ aspect of playing intact.

Definitely a book worth checking. Best wishes!

Pete Andrick
Westland, MI, USA

Hey Pete – Mark here,

Thanks for sending in your comments about the Full Range Studies book for Trumpet.

And you are so right, players just need to read and follow the instructions and do the book and they will see progress.

Congratulations on that extra ‘pop and sparkle’ to your sound, that’s what people hear and know you by – it makes sense to really listen closely as we practice to always be making the best sound possible, no matter how long or short, low or high, loud or soft. Always be making music!

If you’d like to pick up a copy of Full Range Studies for Trumpet, hop on over to this page:

http://mphmusic.com/trumpet

As always, my best to you —

Mark Hendricks

.

Full Range Studies for Trumpet

Full Range Studies for TrumpetFull Range Studies for Trumpet

A complete system to develop and maintain your range, sound, endurance, and flexibility from Low F# to Double High C … and beyond! (91 pages)

The Full Range Studies for Trumpet book can be used by all trumpet players, at any level of playing. Whether you’re a beginner, intermediate, advanced, comeback player, or professional – this book will be very valuable to you over the years to come.

The “FRS” system consists of 18 studies. One study of the 18 should be played every other day on a rotation basis (1, 2, 3, 4…17, 18), and three times a week is recommended. You will do the complete rotation every 6 weeks. Don’t try to play all of the studies in one day, these are meant to build you up, not beat you up.

Each study session will take you approximately 20-30 minutes to complete. If you rest correctly during the practice session, your embouchure should feel good, not beat up. If you feel beat up then you didn’t rest enough or you went too far in the study. Only go as far in each study as you can without playing incorrectly. It does no good to practice incorrect habits.

Get more info and get your copy now here http://mphmusic.com/trumpet

As always, my best to you —

Mark Hendricks

Full Range Studies for Trumpet – Quick Start Guide

Full Range Studies for TrumpetFull Range Studies for Trumpet – Quick Start Guide

Congratulations on your purchase of the Full Range Studies for Trumpet book!

Here’s a few tips on getting starting using the FRS book:

– The purpose of the book is to provide a complete system to develop and maintain your range, sound, endurance, and flexibility from Low F# to Double High C … and beyond! And it can be used by all trumpet players, at any level of playing. Whether you’re a beginner, intermediate, advanced, comeback player, or professional – this book will be very valuable to you over the years to come.

– The “FRS” system consists of 18 studies. One study of the 18 should be played every other day on a rotation basis (1, 2, 3, 4…17, 18), and three times a week is recommended. You will do the complete rotation every 6 weeks. Don’t try to play all of the studies in one day, these are meant to build you up, not beat you up.

– Each study session will take you approximately 20-30 minutes to complete. If you rest correctly during the practice session, your embouchure should feel good, not beat up. If you feel beat up then you didn’t rest enough or you went too far in the study. Only go as far in each study as you can without playing incorrectly. It does no good to practice incorrect habits.

– Be diligent in your practice, you will be rewarded for your discipline by following the routines in the 18 studies – using these studies in this step-by-step system will get you playing better, and much quicker, than a haphazard approach to practicing

– Rest as much as you play and rest as much as you play within each practice session, you should still feel good at the end of each practice session

– Always strive for a great sound on every note

– Always play musically – don’t just play, make music

– Slow and good is better than fast and bad – you will learn faster by practicing slowly, then speed up in small increments to improve your coordination to play faster and still sound good

– Practice all of the articulations when indicated (S=Slur, T=Tongue, B=breath, etc.)

– Use a metronome to help you improve your coordination as you speed things up

– If you can’t reach some notes, give it three tries and then move on – they will come in time

– Play with other people, whether it be duets, trios, quartets, quintets, band, orchestra, jazz ensemble, church services – get out there and rehearse, perform and make music with others

– Each study is meant to be played once and then move to the next one on the next FRS practice day of the week (every other day, three days a week is fine). These are not technically hard, so you don’t have to “practice” them with repetition, so just move on to the next study in rotation. Just keep progressing step-by-step through the lessons – and start with Study 1

– When you get to the end of the 18 studies after 6 weeks, start at Study 1 again and continue through the studies to Study 18. Then once again go back to Study 1 and do the same, again and again for development and maintenance

– As you advance in these studies, you can begin playing two phrases together without removing the mouthpiece and resting. Do the whole book this way (1-18 in rotation), then on the next time through the book do 3 phrases without removing the mouthpiece, and the next time through the book 4 times, etc. – always end your practice session feeling good so you can practice other things or perform later

For more info on the book and other trumpet books you may be interested in, visit:

http://www.mphmusic.com/trumpet

As always, my best to you —

Mark Hendricks